Исполнительские Особенности Произведения Роберта Шумана – 6 Этюдов В Форме Канона, Op.56 В Версии Клода Дебюсси Для 2-Х Фортепиано.
Ключевые слова:
этюд, канон, орган, полифония, педальный рояль, песня, ансамбль, романтизм, голоc.Аннотация
В данной статье рассматривается и проводится анализ произведения «6 этюдов в форме канона» немецкого композитора, музыкального критика и педагога, представителя эпохи романтизма - Роберта Шумана. Изучено, что этюды были написаны Шуманом для ископаемого инструмента - фортепиано с добавленной ножной клавиатурой, а позже были отредактированы французским композитором, представителем музыкального импрессионизма - Клодом Дебюсси для 2-х фортепиано.
Осматривается история возникновения этого произведения и его связь с органом, уважение Шумана к музыке Баха и его увлечение контрапунктом старинной полифонии. Также разбираются понятия таких жанров как этюд и канон, то как они поменялись за примерно четыреста лет и то как это произведение умудряется сочетать в себе эти два жанра.
Еще обобщается понятие ансамблевого исполнительства и показано, что его роль в 19 веке отличается от роли в 18 веке тем, что ансамбль больше не носит салонный характер а считается серьезным концертным жанром.
Библиографические ссылки
Dorozhkina R.N. (2016) Hudozhestvennyj etyud kak zhanr fortepiannoj muzyki epohi romantizma [Artistic étude as a genre of piano music in the Romantic era]. In Hriptulov I.V. & Vinokurov A.I., “ETNOS. KUL'TURA. MOLODEZH'” [ETHNOS. CULTURE. YOUTH] (Smolensk: SGII, 2016. – 92-97 pp). "Smolensk State Institute of Arts", 2016
Kandaurova Lyalya (2018). Polchasa muzyki: kak ponyat' i polyubit' klassiku [Half an hour of music: how to understand and love the classics]. Alpina Publisher, Moscow.
Dr. Karl Storck (1907). The letters of Robert Schumann. London-John Murray, Albemarle street,W. 1907
Judith Chernaik (2015). Mendelssohn and Schumann: new letters. Musical Times Publications Ltd.
Ford, Karrin E. (1985). The Pedal Piano: A Forgotten Instrument. Music Teachers National Association, Cincinnati, Ohio. 35- 2, 43 p.
Rosenblum, Sandra P. (1993) "Pedaling the Piano: A Brief Survey from the Eighteenth Century to the Present," Performance Practice Review: Vol. 6: No. 2, Article 8. DOI: 10.5642/perfpr.199306.02.08. Available at: https://scholarship.claremont.edu/ppr/vol6/iss2/8
Schumann R. (1851) Album for the young.
Roe-Min Kok & Laura Tunbridge (2011). Rethinking Schumann. Oxford University Press, Inc. New York
Eugene Schumann & G. D. H. Pidcock (1934). The Diary of Robert and Clara Schumann. Oxford University Press, Inc. New York
Peter F. Ostwald (1985). Schumann: The Inner Voices of a Musical Genius. Northeastern University Press, Boston.
Debussy Claude (1891). Six etudes en forme de Canon. Paris: Durand & Fils, n.d.(ca.1891). Plate D. & F. 4371. Retrieved from https://imslp.org
Chabaeva A.M.(2017). Osobennosti Istoricheskogo Razvitiya Fortepiannogo Dueta I Nekotorye Problemy Zhanra [Peculiarities Of The Historical Development Of The Piano Duo And Some Problems Of The Genre]. Kul'tura. Duhovnost'. Obshchestvo [Culture. Spirituality. Society] Proceedings of the XXVIII International Scientific and Practical Conference. Limited Liability Company "Center for the Development of Scientific Cooperation" Novosibirsk. 62-67 pp.
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